I have a friend who, when he played percussion in the Malaysian Philharmonic Orchestra, sent me a CD (Chandos 9960) of works by the Japanese composer Takashi Yoshimatsu. It contains his Symphony No. 4, Atom Hearts Club Suite No. 1, and Trombone Concerto ‘Orion Machine’ (performed by Ian Bousfield). I already had a different recording of the Trombone Concerto (Camerata 30CM-354), excellently played by Yoshiki Hakoyama, so it was nice to compare the two performances. And I just love the Symphony No. 4. Yoshimatsu’s works are tonal, neo-romantic, and inspired by elements of nature, both earthly and celestial. He is also influenced by jazz and popular music, which are often juxtaposed with more traditional classical influences. His Atom Hearts Club Suite is a good example of this:
The suite combines elements from four sources: The Beatles’ masterpiece Sgt Pepper’s Lonely Hearts Club Band, which draws on all kinds of music, from classic to rock; Emerson, Lake and Palmer’s Tarkus, a great progressive-rock work of the 1970s; Pink Floyd’s Atom Heart Mother; and Fragile by Yes. These have then been shaken using the 100,000 horsepower of Osamu Tezuka’s comic-book hero Mighty Atom (a.k.a. Astro Boy). There are four movements: the first is a progressive-rock-style Allegro molto in irregular time, the second a mysterious Andante in ballad style, the third a paramour’s Scherzo, while the fourth rounds the suite off in slapstick boogie-woogie style. – Takashi Yoshimatsu
Not every composer who tries this is successful – it can sound contrived and, well, cheesy. Although Yoshimatsu’s works aren’t completely dairy-free, there are many moments where his stylistic amalgamations work quite well, and the Symphony No. 4 is one very tasteful example – I absolutely love it.
If you haven’t heard Yoshimatsu’s music, I encourage you to check it out.